Flat wash - Any area of a painting where a wash of single color and value is painted in a series of multiple, overlapping strokes following the flow of the paint.
Dry brush - Any textured application of paint where your brush is fairly dry. Glazing - Layering or stacking colors Grated wash - A wash that smoothly changes from dark to light. Hue - The color of a pigment or object. Not relating to tone or value. Intensity - Prefer to any given colors brightness or dullness. Lifting paint - Remove or erase watercolor from from the surface of a painting Masking fluid - A latex gum product that is used to cover a surface you wish to protect from receiving paint. Palette - The paint mixing and storing surface of various shapes and being made of plastic, metal, glass, ceramic or enameled trays for watercolor. Scrubbing - a dry-brush technique used to lift paint from or add color to an area of the surface. staining colors. Color temperature - The color temperature of a light source is the temperature of an ideal black-body radiator that radiates light of a color comparable to that of the light source Tint-shade - A shade or variety of color. Transparent - refers to paintings done on a special rag paper with pigments very finely ground in a binding medium composed of a solution of gum arabic. Value - The relative lightness or darkness of colors or of grays. Wet-into-dry - Wet paint into dry paint. Wet-into-wet - The technique of painting wet colors into a wet surface. Wax resist - a process similar to batik used in pottery and printing. Salt technique - When salt is sprinkled on a wet wash, it starts to gather the watercolor pigments. The wash has to be still wet but not too shiny. The effect will vary depending on the size of the grains of salt and the wetness of the paper. Watercolor paint - Watercolor paint generally dries quickly, unless you are working really wet. There are a variety of techniques that can be used to create watercolor paintings. Blotting - Using an absorbent material such as tissues or paper towels, or a squeezed out brush to pick up lighten a wet or damp wash. Watercolor paper - A special drawing paper with a surface texture suitable to accept watercolors
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When it has dried out I need to fire it. I also have to paint it. The little knot on the lit is going to be the earth. When it is done I might give it to somebody or just keep it I am not completely sure about that yet.
I think it is hard to work with clay in general, but it was really hard to get the perfect shape. I like the “earth” on the lit, it is very smooth and i think it looks good. I used the slap method to make mine. I used the slip to kind of glue the earth to the lit and the the airplane to the side. Then I used a paint brush to smooth everything out. The place I painted represent the city I grew up in. I am born in Denmark, the city is called Holbæk. I have lived there for 15 years so it means a lot to me. Most of my family live there and my friends. I miss that city a lot.
The most challenging part to make was the masts and the sailing because I had to make it thin and I was using a paint brush. I really like the background, I think it looks cool and i like the way in made the water in the front. My process is pretty simple. I started out by doing the background after that I did all the black in like the middle, that part was pretty easy. Then i made the little house. Then I did the masts and the saling and I finished up the painting by doing the water in the front. I learned a lot of difference techniques that I am definitely going to use for my project.
The most helpful warm up is the color wheel,i can use every time i have to make a new color. I learned most from the tree drawing, it is hard to draw a tree but i learned some techniques now. If you mix every color together you will get brown and you can mix blue and orange, there is a lot of difference ways of making brown. If you want to tone down a color you add grey.
Olivia Kemp is a british artist. She creates sprawling, large-scale ink drawings of real world landscapes that are built from photography, observational sketches, and her own memories of the visited destinations. Her two most recent works took a combined 9 months to complete. Her work is inspiring to me because i love the way she draws. There is so many details in her drawings. Personally I also like to draw in ink. I like that she gets her inspiration from places she has visited, that is definitely also something I could do because I travel a lot. You can look at her drawing for a long time and almost pretend you are there.
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December 2018
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